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04

Apr

02

Apr

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62 plays

Aphrodisiac by Bow Wow Wow.

26

Mar

(Source: missbethxo)

17

Mar

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60 plays Get

Goodbye by Kevin Shields.

15

Mar

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60 plays

50 Floors Up by Brian Reitzel & Roger J. Mannins Jr.

One of the things I love about Sofia Coppola’s films is their atmospheric scores. They convey the emotions and inner turmoil of the characters so perfectly, and tonally they create a really distinctive experience.

19

Jan

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50 plays

Love Like A Sunset Part II by Phoenix.

I used to think Tarantino’s films had the best soundtracks, but I realized that isn’t true as Sofia Coppola’s films are the ones with the best soundtracks. I may love Tarantino’s films a lot more than Coppola’s, but there’s something more interesting and increasingly thoughtful about the way Coppola selects songs.

01

Oct

29

Sep

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160 plays

Come Sail Away by Styx.

The Virgin Suicides is my favorite Sofia Coppola and the main reason for that is the soundtrack. She truly is the female of version of Quentin Tarantino when it comes to music selection. The soundtrack for The Virgin Suicides is a timeless masterpiece, and Come Sail Away is the perfect closing track.

14

Mar

(Source: larsvontrier)

01

Dec

Pure Sofia Coppola - Playlist:

  • Playground Love by AIR (from The Virgin Suicides).
  • What Ever Happened by The Strokes (from Marie Antoinette).
  • City Girl by Kevin Shields (from Lost In Translation).
  • 50 Floors Up by Brian Reitzel & Roger J. Mannins Jr. (from Lost In Translation).
  • I’m Not In Love by 10cc (from The Virgin Suicides).
  • Fantino by Sebastien Tellier (from Lost In Translation).
  • Too Young by Phoenix (from Lost In Translation).
  • Opus 23 by Dustin O’Halloran (from Marie Antoinette).
  • How Can You Mend A Broken Heart? by Al Green (from The Virgin Suicides).
  • Suicide Underground by AIR (from The Virgin Suicides).

If you ask me what other filmmaker besides Tarantino constantly releases awesome soundtracks to match his/her brilliant films, my answer would be Sofia Coppola. Starting from The Virgin Suicides that is for me one of the best soundtracks/scores I’ve heard, to the mellow and atmospheric greatness of Lost In Translation, and ending with the great Marie Antoinette.