Every shot is rethinking cinema, rethinking narrative – how to tell a story with a picture. Now, I’m not saying we have to keep throwing javelins at the camera, I’m not saying we use it as a gimmick, but it’s liberating. It’s literally a Rubik’s Cube every time you go out to design a shot, and work out a camera move, or a crane move. But it has a beauty to it also. People look like… like moving statues. They move like sculpture, as if sculpture is moving in a way. Like dancers.
(Source: imcastortroy)
24 notes
-
cinematropolis reblogged this from salesonfilm
-
enternechoplex reblogged this from yenni
-
br0manpolanski likes this
-
screendirection reblogged this from yenni
-
yenni reblogged this from imcastortroy
-
motionpicturesatarevolution reblogged this from salesonfilm
-
motionpicturesatarevolution likes this
-
aracelerysticks likes this
-
soiwasthinking likes this
-
thehoulywoodreporter likes this
-
chewbeca likes this
-
johnrom reblogged this from salesonfilm
-
uwuc likes this
-
samcozy likes this
-
stepone likes this
-
salesonfilm reblogged this from imcastortroy
-
formerlyhansflorianzimmer likes this
-
agnesnutter likes this
-
raffaellacarra said:
The only reason I will see another 3D movie will be for Scorsese. No one else deserves that kind of love.
-
imcastortroy posted this
